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Dr Christopher Wiley gives talk on Ethel Smyth’s opera The Boatswain’s Mate for Guildford Hard of Hearing Support Group

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Ethel SmythDr Christopher Wiley delivered a talk entitled ‘Ethel Smyth’s (feminist?) opera, The Boatswain’s Mate at the Millmead Centre, Guildford on 27 February 2017, for Guildford Hard of Hearing Support Group.

The Boatswain’s Mate was the fourth of six operas composed by Smyth (who suffered from distorted hearing and deafness for the last several decades of her life), and was the most popular and most frequently performed during her own lifetime. It was recently released in its first complete modern recording by Retrospect Opera (of which Dr Wiley is a part).

An acknowledged expert on Smyth, Dr Wiley provided an outline of the circumstances of the composition of The Boatswain’s Mate, its plot, and interesting features of the music. He also discussed the extent to which the work constitutes a ‘feminist opera’, as has previously been suggested.

This is the second time that Dr Wiley has addressed Guildford Hard of Hearing Support Group, having delivered a presentation on Smyth’s life and works two years ago in January 2015. Dr Wiley has also recently given talks on Smyth at The Guildford Institute and at the composer’s childhood home in Frimley Green.

Dr Christopher Wiley delivers talk on Ethel Smyth at The Guildford Institute

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Dr Christopher Wiley delivered a talk entitled ‘Dame Ethel Smyth, Groundbreaking Composer, Writer, and Suffragette’ at The Guildford Institute, Guildford on Wednesday 18 January 2017.

Speaking to a capacity audience of 70 in the Institute’s Assembly Room, Dr Wiley outlined Smyth’s significance to music, literature, and women’s suffrage, as well as her local connections to Surrey, illustrating his talk with excerpts from a variety of her works.

An acknowledged expert on the subject, Dr Wiley has recently given several talks on Ethel Smyth in the local area, including one at Smyth’s childhood home in Frimley Green, Surrey last September.

Further information on the event is available on The Guildford Institute’s website: http://guildford-institute.org.uk/whats-on2/dame-ethel-smyth-groundbreaking-composer-writer-and-suffragette/

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Dr Christopher Wiley gives talk at Ethel Smyth’s childhood home

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dr-christopher-wiley-gives-talk-on-ethel-smyth-at-frimhurst-family-houseDr Christopher Wiley gave a talk entitled ‘Ethel Smyth: Composer, Author, Suffragette, and Surrey Resident’, at Frimhurst Family House, Frimley Green (Ethel Smyth’s childhood home), on 11 September 2016.

Dr Wiley addressed an audience of some 50 members of the public during an event celebrating Ethel Smyth, part of the ‘Century of Sound’ Festival organised annually by Surrey Heath Borough. The full programme for the Festival is available here: http://www.centuryofsound.co.uk/event-programme.

Other features of the afternoon event included included performances of Smyths solo piano music by Dr Maureen Galea and of some of her songs by the Surrey Heath Singers, as well as a tour of the premises and a talk about the work of the charity ATD Fourth World, which now operates at Frimhurst Family House.

The event was jointly organised by Surrey Heath Museum, the University of Surrey, and ATD Fourth World.

Dr Christopher Wiley contributes essay to CD booklet for newly released Ethel Smyth recording

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The Boatswain's Mate - CD front coverRetrospect Opera’s newly released CD of Ethel Smyth’s The Boatswain’s Mate, the first complete modern recording of the work, includes an essay by Dr Christopher Wiley in the accompanying booklet.

The recording appears in the centenary year of Smyth’s comic opera, which premiered on 28 January 1916 at the Shaftesbury Theatre, London. It features singers Nadine Benjamin, Edward Lee, and Jeremy Huw Williams in the principal roles, accompanied by the Lontano Ensemble conducted by pioneering Smyth interpreter Odaline de la Martinez.

Dr Wiley is acknowledged as an academic expert on Ethel Smyth, with recent research activity including publication of a major journal article, a score preface, and promoting Smyth’s music in concert, in addition to giving several public lectures on the composer. His essay The Boatswain’s Mate in the context of Smyth’s life and works’ appears in the CD booklet alongside contributions by Odaline de la Martinez and Retrospect Opera’s Professor David Chandler.

The CD is available direct from Retrospect Opera at the following link: http://www.retrospectopera.org.uk/CD_Sales.html

It may also be ordered through Amazon: https://www.amazon.co.uk/Boatswains-Mate-Ethel-Smyth/dp/B01HIJX83Q/

Dr Christopher Wiley is profiled in the University of Surrey’s Annual Review 2015 as an Inspiring Academic

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Inspiring AcademicsDr Christopher Wiley is featured in the University of Surrey’s Annual Review 2015, as one of 3 Inspiring Academics and 6 Exceptional Students across the institution.

Dr Wiley (profiled on p.11 of the Annual Review) discusses highlights of the past year including the Opportunities & Networking Event and ‘Careers in the Arts’ panel discussion, being nominated for the Students’ Union Academic Staff Member of the Year award, gaining Senior Fellowship of the Higher Education Academy, and writing a report on the use of electronic voting systems in arts and humanities teaching, as well as his prolific activity in 2015 as a research-active Musicologist, publishing book chapters, organising an international conference, presenting papers at major UK universities, and giving talks for the Royal Philharmonic Orchestra and Glyndebourne Tour.

The Annual Review may be downloaded in full here: http://ow.ly/XEIuO

Dr Christopher Wiley writes preface for new publication of Ethel Smyth study score

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Smyth, Variations on Bonny Sweet RobinDr Christopher Wiley has contributed a preface to a republication of an Ethel Smyth work – the Variations on Bonny Sweet Robin (Ophelia’s Song) for flute, oboe, and piano – as a study score.

The republication was one of the new releases for November 2015 by the publisher Musikproduktion Hoeflich. The score and parts are available to purchase for €16 from the publisher’s website here: https://repertoire-explorer.musikmph.de/product/smyth-ethel-3/

The complete text of Dr Wiley’s preface may be read in both English and in German translation (by Anke Westermann) here: https://repertoire-explorer.musikmph.de/wp-content/uploads/vorworte_prefaces/1724.html

Dr Wiley, who is recognised as a leading researcher on Ethel Smyth, has also promoted her music as a performer, including the Variations on Bonny Sweet Robin which featured as part of a commemorative recital of Smyth’s music on the 70th anniversary of her death in May 2014.

Dr Christopher Wiley writes on ‘Les Misérables at 30’ for The Conversation

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Les MisérablesDr Christopher Wiley has contributed an article to The Conversation on the enduring popularity of Les Misérables, the world’s most successful musical, ahead of the 30th anniversary of its London production on 8 October 2015.

Dr Wiley’s article, ‘Les Misérables at 30: breaking hearts and records’, discussed aspects of the show’s plot and musical score, the role played by writers Alain Boublil and Claude-Michel Schönberg and by producer Cameron Mackintosh, as well as more recent developments such as Tom Hooper’s 2012 film adaptation.

The full article may be read here: https://theconversation.com/les-miserables-at-30-breaking-hearts-and-records-48535

This is the second time that Dr Wiley has written for The Conversation, the first being a scholarly response to Stephen Fry, which has received 4,000 hits to date.

Founded in Australia in 2011 and launched in the UK in 2013, The Conversation is an independent global news website featuring stories and opinions sourced from the scholarly community. The University of Surrey is one of its founding UK partners.

Update: Dr Wiley’s Les Misérables article received over 1,300 hits by the end of 8 October (UK time), with readers fairly evenly distributed between the UK, US, Australia, and Continental Europe.

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