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Dr Christopher Wiley delivers paper at conference on biography at the University of Nottingham

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1200px-University_of_Nottingham_logo.svgDr Christopher Wiley has presented a paper at the multi-disciplinary conference ‘Biography and Public History: Constructing Historical Narratives through Life-Writing’, held in the Department of Music at the University of Nottingham on Wednesday 20 June 2018.

Dr Wiley’s paper, ‘Anecdote as a Genre in Musical Biography’, drew primarily on his recent research on Victorian life-writing, while also discussing the foundational role of anecdote within musical biography from its advent at the turn of the nineteenth century onwards.

Proposing that biographical anecdote warrants recognition as a genre in its own right given its extraordinary staying power and the sophisticated narratives that developed around specific examples, Dr Wiley demonstrated its potential to contribute to a greater understanding of associated culture through the recounting of stories of its most cherished figures.

The one-day conference was attended by some 50 international delegates. Dr Wiley also chaired the opening session, which featured papers on archaeology, buildings architecture, and literature.

Further information may be found at the conference webpage: https://www.nottingham.ac.uk/conference/fac-arts/humanities/music/biography-and-public-history/biography-and-public-history.aspx

The full conference programme is available online here: https://www.nottingham.ac.uk/humanities/departments/music/documents/2018/final-programme.pdf

Dr Christopher Wiley delivers Keynote lecture at international conference at the University of Amsterdam

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Dr Christopher WJanuary 2018_Amsterdam_Poster 2018 Workshop Transnational Perspectives on Artistsiley gave a Keynote lecture at the two-day international workshop, ‘Transnational Perspectives on the Writing of Artists’ Lives, 19th-21st centuries’, held at the University of Amsterdam, The Netherlands on 25–26 January 2018.

Dr Wiley’s 50-minute paper, entitled ‘Musical Biography as a National and Transnational Genre’, explored the extent to which composer life-writing reflects the preoccupations and concerns of its time and place of origin while simultaneously embodying pan-European values that remain strikingly robust across texts from different countries and centuries.

Addressed to an interdisciplinary audience primarily from The Netherlands, France, the UK, and US, Dr Wiley’s lecture developed research previously presented at the University of Oxford, and generated much productive discussion from delegates.

An internationally acknowledged expert in the field, Dr Wiley has given a number of previous keynotes at conferences on biography, including the four-day ‘(Auto)Biography as a Musicological Discourse’ held at the University of Arts, Belgrade in 2008.

The full schedule for the workshop may be viewed here: http://www.uva.nl/en/shared-content/subsites/amsterdam-institute-for-humanities-research/en/events/events/2018/01/transnational-perspectives-artists-lives.html

The programme is also available online as a PDF: https://www.huizingainstituut.nl/v02/wp-content/uploads/Programme-Workshop-Transnational-Perspectives-on-Artists-Lives-2-Jan-18.pdf

Dr Christopher Wiley co-organizes international multi-disciplinary conference on Writing About Contemporary Artists at the University of Surrey

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Keynote - Annie Yim, Christopher Le Brun, and Christopher WileyDr Christopher Wiley was Chair of the Conference Committee for an international, multi-disciplinary three-day conference entitled Writing About Contemporary Artists: Challenges, Practices, and Complexities’, held at the University of Surrey from 20-22 October 2017.

Hosted and sponsored by the University’s Institute of Advanced Studies, the conference brought together scholars and practitioners in fields including musicology, theatre studies, dance and choreography, literature, film, digital media, and the visual arts. Its 70 participants represented a strongly international delegation drawn from North and South America, Australia, South Africa, and across Europe and the UK.

Dr Wiley compèred and co-authored the event’s central Keynote Concert and Dialogue (pictured above) given by MusicArt London, featuring the distinguished painter Christopher Le Brun (President of the Royal Academy of Arts) and pianist Dr Annie Yim (St John’s Smith Square Young Artist in Residence 2016/17), with additional contributions by composer Richard Birchall.

Dr Wiley also acted as chair and panel member for the final conference session (pictured below), a roundtable on ‘Contemporary artists, contemporary writing: Internet and social media’, at which he spoke about his reviewing activity across the art disciplines for digital magazine Musical Theatre Review as well as his guest-blogging for sites such as the Association of National Teaching Fellows blog and Oxford University Press Blog.

Further information may be found at the conference website: http://www.ias.surrey.ac.uk/workshops/artistswriting/

The full programme (including abstracts) may be downloaded here: http://www.ias.surrey.ac.uk/workshops/artistswriting/papers/Writing%20About%20Contemporary%20Artists%20conference%20_%20Proggramme.pdf

Roundtable - Christopher Wiley, Björn Heile, Katie Beswick, and Ian Pace

Update: Online reports on the conference are available at the following links:

http://www.planethugill.com/2017/10/writing-about-contemporary-artists.html

http://annieyim.com/keynote-concert-and-dialogue-at-an-international-multi-disciplinary-conference-at-the-university-of-surrey-21-october-2017/

http://blogs.surrey.ac.uk/arts/2017/10/22/international-conference-in-pats-building-writing-about-contemporary-artists/

Dr Christopher Wiley delivers paper in the Music Research Colloquia series at the University of Oxford

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Dr Christopher Wiley presented his paper ‘National Trends in Musical Biography’ in the Music Research Colloquia series at the Faculty of Music, University of Oxford on 16 June 2015, to close the series for the 2014–15 academic year.

Speaking to some 25 academics and postgraduate students in the Faculty’s Denis Arnold Hall, Dr Wiley explored the relationship between musical biography and nationality, in terms of the status of the genre at particular times and places as well as its development over time.

Case studies upon which Dr Wiley drew included biographical retellings of the story of J.S. Bach’s keyboard contest with Louis Marchand, and the ideologies that emerge from the original volumes of the ‘Master Musicians’ series. Dr Wiley had presented earlier versions of this research at the Institute of Musical Research, University of London in 2015 and 2014.

The weekly colloquia are organized by graduate students and feature musicological research presented by a range of leading academics and younger researchers from universities around the world.

Details of Dr Wiley’s Research Colloquium may be found here: http://www.music.ox.ac.uk/event/research-colloquium-chris-wiley/

Faculty of Music, University of Oxford

Dr Christopher Wiley co-organizes and delivers paper at international conference on musical biography at the Institute of Musical Research, London

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Institute of Musical Research logoDr Christopher Wiley and Dr Paul Watt (Monash University, Melbourne) have co-organized a two-day international conference on musical biography held at the Institute of Musical Research, University of London, on 9-10 April 2015.

The conference, entitled ‘Musical Biography: National Ideology, Narrative Technique, and the Nature of Myth’, brought together a broad range of some 50 interdisciplinary scholars from the UK, US, Australia, and Continental Europe.

In addition to several panel sessions, the conference incorporated two invited roundtable discussions, whose speakers included Professors Simon Keefe (University of Sheffield), Mark Evan Bonds (University of North Carolina at Chapel Hill), Jonathan Cross (University of Oxford), and Rosamund Bartlett (Oxford).

In the course of the conference, Dr Wiley also chaired three of the panel sessions as well as presenting his paper ‘Myth-making and the Politics of Nationality in Narratives of J.S. Bach’s 1717 Contest with Louis Marchand’, which discussed the ideological significance of the variations in retellings of a single biographical story across different countries in the nineteenth and twentieth centuries.

The schedule for the event may be viewed at the conference website: http://events.sas.ac.uk/imr/events/view/17765/Music+Biography+Conference

The full conference programme may be downloaded here.

Dr Christopher Wiley delivers paper at international conference at the Institute of Musical Research, London

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Institute of Musical Research logoDr Christopher Wiley presented his paper ‘Life and Works: The Master Musicians Series (1899–1906) as Victorian Period-Piece’ at the ‘Music Literature, Historiography, and Aesthetics’ Conference held at the Institute of Musical Research, University of London, on 17-18 July 2014.

Dr Wiley’s paper explored elements of Victorian ideology (including preoccupations with evolutionist theory and with ‘working partnerships’ between men and women) that emerge strongly from a close reading of the volumes of the original Master Musicians series. He then showed how these concerns yielded important consequences for the authors’ discussions of the musical works themselves.

The conference’s call for papers is available here: http://artsonline.monash.edu.au/news-events/call-for-papers-conference-on-music-literature-historiography-and-aesthetics/

The full conference programme may be downloaded here: http://music.sas.ac.uk/sites/default/files/files/Music%20Literature%20Historiography%20and%20Aesthetics%20programme%20(1).doc

Dr Wiley had previously presented a paper at a related conference held at Monash University, Melbourne earlier in the year.